A number of musicians today are blogging responses to this letter:
I have a teenage son who tells me his pirating music is no big deal. Since he is a musician himself, I point out to him that someday that’s going to be his money people are stealing. But he remains unphased.
He tells me the record sales make money for the record label, not the artist. He says that the artists make all their money from touring and live concerts. He thinks the pirated music promotes the concerts and therefore helps the artist make more money. I still don’t allow pirating in my house.
But tell me what you think – as artists out there having your work “shared,” are you just glad to have it being enjoyed, or does it bother you? Admittedly, he is stealing music that is recorded by major record labels, so maybe its different than the independent musician working for his living. But I’d still like to hear what you think.
First: Pirates are ruthless and violent criminals. Your son is not a pirate. He’s not even a thief. He’s just a kid who’s copying stuff.
Now, the copying he’s doing is illegal. That’s all I’m going to say about that.
Here’s what I think: It’s about support, and about respect.
When you pay for music in a world that has so much music for free, you’re not really paying for the music at all. You’re paying for convenience, and for peace of mind, but mostly, you’re doing it to support the people who made the music. You give them money because you’re grateful that they made something you like, or because you want them to be able to make more things you’ll like, or both.
There are lots of ways to support musicians. Lots. Pay for CDs. Go to concerts. Send donations. Tell your friends. Provide lodging. Vote in contests. Sponsor recordings. Write fan mail. Host house concerts. Put up posters. Make mix tapes. Buy T-shirts. And on and on.
And, yes, make copies of music you like. Making copies doesn’t do a thing for musicians by itself. But some of the people who get those copies are going to like the music enough do those things I was just talking about.
Now, anonymous file sharing is about the least effective way to make that happen. Much better to give one friend a copy of a CD and tell her why you love it than to share a thousand MP3s with a million strangers.
But the key is support. Me, I don’t care if you’re paying for CDs. Are you supporting the musicians who make the music you want to hear? Are you going to those shows and writing those letters? Then you’re all clear by me.
That said, musicians disagree about this. We disagree a lot. If someone made some music you love, try your best to respect their own feelings about copying it.
I made the abstract argument above, but let me tell you how I really feel: I would love it if there were enough people digging our music that you could find it on LimeWire. I’m speaking only for myself here, not the band, but I don’t think they’d disagree.
But other musicians feel like if you copy their music instead of buying it, you’re stealing from them. I don’t agree with that, but if I hear them say it, I sure won’t copy their music for myself or anyone else.
Most musicians haven’t taken a public stance about it one way or another. That’s where your judgement comes into play.
This is actually the reason I mostly avoid bootlegged music from major labels: If, say, Bob Seger is in business with a label that has, through the RIAA, sued consumers for file sharing, and Seger hasn’t publicly disavowed the lawsuit, then I have to assume he agrees with them, and I won’t download his music. If that means he’s missing out on the alleged promotional benefits of my having an illegal copy of “Still the Same”, well, he and I can both live with that.
Speaking of major labels and differing opinions, here’s the best thing I found while I was researching this post: Paul McCartney teaching “Let It Be” to the Beatles, an ancient bootleg provided for you by the founder of Artists Against Piracy.